2015 – Plusea http://www.plusea.at Just another WordPress weblog Thu, 12 Jan 2023 22:14:42 +0000 en-US hourly 1 https://wordpress.org/?v=5.4.12 Battle Royal http://www.plusea.at/?p=6530 http://www.plusea.at/?p=6530#respond Tue, 15 Dec 2015 11:52:00 +0000 http://www.plusea.at/?p=6530 ]]>autodesk autocad revit architecture 2010 autodesk alias surface 2019 autodesk navisworks manage 2019 autodesk autocad mep 2023 autodesk navisworks manage 2022 autodesk autocad architecture 2011 autodesk ecotect analysis 2011 autodesk vault collaboration 2011

photos >> https://www.flickr.com/photos/plusea/albums/72157660506310992
video >> https://vimeo.com/162536324

human controller costumes:



MAKING-OF:

aesthetic explorations with conductive fabrics:

introduction to textile sensors:

learning to prototype and code:

controlling a robot with textile sensors:

workers pushing button to work

abandoned workstation – the workers have revolted!

R&D – research and development

behind the scenes

press from each team

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A Wearable Studio Practice http://www.plusea.at/?p=5385 http://www.plusea.at/?p=5385#comments Fri, 17 Jul 2015 08:34:17 +0000 http://www.plusea.at/?p=5385 ]]> The Wearable Studio packages the work environment of a typical electronic textiles studio into a series of portable items that can be worn or carried on the body. By providing the functionality normally contained in static furniture and the architectural infrastructure of the studio/lab, A Wearable Studio Practice allows the e-textile engineer to become nomadic in her practice.

A WEARABLE STUDIO PRACTICE WEBSITE

Now is a perfect time for electrical engineers to become mobile with their practice. It’s not just electronic parts that have become smaller and smaller, but also many of the tools used in electrical engineering (power supply, multimeter, oscilloscope, programmers… ) have become more compact and portable. Many practices closely related to hardware such as software/programming and CAD/design have been liberated from static infrastructures because laptop computers – their primary tools – are powerful and lightweight. Co-working spaces and FabLabs offer temporary workspaces all over the world. There is an awareness of the benefits of local production and site-specific development.

Wearable Studio Collection

A collection of wearable and portable accessories that allow the electronic textile engineer to travel, build hardware on-site, incorporate local craft techniques and resources, experience different cultures, encounter and collaborate with other disciplines and share their skills with others.

The items in this Wearable Studio Collection are in various stages of development, but shall eventually be documented in great detail, so that they can be reproduced by others. I hope to encourage copies, modifications and improvements to these designs.

Body modifications…

>> https://www.flickr.com/photos/plusea/collections/72157671954961281/

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My favorite shape http://www.plusea.at/?p=7344 http://www.plusea.at/?p=7344#respond Fri, 12 Jun 2015 21:52:00 +0000 http://www.plusea.at/?p=7344 My Segments Display]]> My new Trafopop jacket!

Making of >> https://www.kobakant.at/DIY/?p=5712

My Segments Display

Videos:

Segments:

My Segments Display - segments

Alphabet:

My Segments Display - ABC
My Segments Display - ABC

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Alpenperser 2000 http://www.plusea.at/?p=5556 http://www.plusea.at/?p=5556#comments Tue, 09 Jun 2015 16:26:45 +0000 http://www.plusea.at/?p=5556 ]]> In the year 2000, when we all wear the highest tech clothing that cools us when we’re hot, heats us when we’re cold and makes us smell nice always. In this future even our high tech clothing will one day become old, will get passed down until nobody wears it. And then what? Nothing all that new. We’ll cut up these futuristic garments and weave them into electronic rag rugs.

Weaving rugs from scrap fabrics has tradition in Austria and they are known as Fleckerlteppiche or Alpenperser. The Alpenperser 2000 is woven from blends of conductive and non-conductive scrap fabrics. So as not to waste the electrical capabilities of these high-tech scraps, the rug is constructed to recycle the electrical functionality of the original fabrics to create an array of textile sensors. The rag rugs of our future will be floor-bound computer interfaces.

Links:
>> 2015 E-Textile Summercamp Swatch Exchange
>> www.kobakant.at="" diy="" ?p="5519"">Fleckerlteppich Sensor

The Schmiedeperser is a full-size carpet version of the Alpenperser 2000 technique. It was woven during the 2015 Schmiede festival in Hallein/Austria with the help of Irene Posch and Costas Bisas, from the scrap fabrics contributions in the form of old cloths from all the Smiths. Thank you!


Fleckerlteppich Tradition

The book “Traditionelles Handwerk – Lebendige Volkskunst” writes about the tradition of Fleckerlteppiche in Austria:
“Neben verschiedensten Geweben und Mustern für Bekleidung (werden auch Bodenbeläge und Wandbehänge angefertigt. So wurden ähnlich den “Defreggerdecken” Osttirols noch vor einem Jahrzehnt im Flachgau Teppiche geschaffen mit einem Schußgarn das aus feinen Tierhaaren mit Mischwolle ersponnen wurde. Dagegen schneiden die Frauen zur Erzeugung von “Fleckerlteppichen” alte Textilien und Stoffreste, “Fleckel” eben, schräg zur Webrichtung in regelmäßige Streifen und nähten sie aneinander- Während für die Kette starke Garne Verwendung finden, wickelt der Weber jene schmalen Bänder als Schuß entweder wie normal auf die Spule im Schiffchen (153), oder er hat sie auf einem Flachholz mit ausgenommenen Enden (Filetnadel) aufgespannt (164). Wie volkstümlich diese Handarbeit ist, erkennt man daran, daß sich im Gegensatz zur allgemeinen Weberei bei dieser Tätigkeit nicht nur Männer, sondern gleichermaßen Frauen wie Kinder finden, die etwa das “Rosengang-Muster” (165 links) geschickt anfertigen; auch sind kleinformatige Tischwebstühle dafür geeignet (166). Bei der Fertigstellung dieses “Alpenpersers” werden noch das Kettgarn zu Fransenbüscheln geknüpft und die abstehenden Schußenden abgeschnitten (164). Muster ergeben sich durch verschiedenartige Verkettungen von Kette und Schuß. Je komplizierter dabei ein Motiv ist, desto mehr Schäfte benötigt man.”
(p93-95, Hanak, Elfriede/Martischnig, Michael. Salzburg. Traditionelles Handwerk. Lebendige Volkskunst. Wien, Schroll 1981., 1981.)

>> http://www.zvab.com/Salzburg-Traditionelles-Handwerk-lebendige-Volkskunst-Martischnig/215081315/buch

Fleckerlteppich production in AustriaFleckerlteppich production in Austria
Fleckerlteppich production in AustriaFleckerlteppich production in Austria


Alpenperser 2000 Flickr set >> https://www.flickr.com/photos/plusea/sets/72157654191467786

Schmiedeperser Flickr set >> https://www.flickr.com/photos/plusea/sets/72157656705013223

Fleckerlteppich Sensor Flickr set >> https://www.flickr.com/photos/plusea/sets/72157652016311535

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Hacking the Wild Map http://www.plusea.at/?p=6811 http://www.plusea.at/?p=6811#respond Thu, 23 Apr 2015 06:27:00 +0000 http://www.plusea.at/?p=6811 ]]>

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Hacking The Wild http://www.plusea.at/?p=5373 http://www.plusea.at/?p=5373#comments Mon, 16 Feb 2015 12:40:33 +0000 http://www.plusea.at/?p=5373 ]]> Making as a means of exploring. Taking digital technology into the wild. To be inspired, to build, to be there.

We set off on this expedition equipped with electronics and tools from the lab, prepared to build digital technology in the jungle of southern Madagascar. Two weeks later we emerged with a series of projects, a hard-drive full of documentation and lasting inspiration. We may not have found the ant at the top of the mountain, but even just getting to the summit where this ant was last seen over 40 years ago, was a totally inspiring journey. This project is documented on so many different platforms (see bellow) and in this post I wanted to try and capture a summary of it in one place.

LINKS:

Follow the expedition live: #WildHacks, @ant_explorer, @HikingHack, @openPlusea, Open Explorer journal

Read more: Dissemination Lab, Digital Naturalism, Publication by French Expedition in 1973

Videos: Andy’s YouTube, Hannah’s YouTube Playlist

Projects that resulted from the expedition:
>> Wearable Studio
>> Jungle Speakers
>> VinePro Camera Head Mount
>> Fiber-Optic Jungle Insect Traffic Taster
>> Ultra-Lightweight Tyvek Backpacking Belt

Photos:
Hannah’s Flickr

Brian’s Flickr

Andy’s Flickr

Hacking the Wild Making Sense of Nature in the Madagascar Jungle


AN INTRODUCTION

Hacking the Wild is a collaboration between Andrew Quitmeyer, Brian Fisher and Hannah Perner-Wilson. Andy and Brian meet for coffee at an entomology (study of insects) conference in Portland and talked for hours about their respective work in entomology/biodiversity and digital media/digital naturalism. Brian is one of the world’s leading ant taxonomists, he collects ants in order to chart biodiversity and uses this information to conserve habitats. Andy builds technology alongside field biologists in the jungles of Panama, organizes hiking hacks across continents and promotes Digital Naturalism as a field of practice. Brian and Andy decided to launch an experiment that would blend biology field work and the maker movement, looking at technology to rekindle our explorer spirit. Dissemination Lab was born. It was to be an experimental initiative for discovering methods of sharing biology field research using digital technology.

I heard about the Dissemination Lab project through Andy when he sent out an email requesting people to send in their ideas for this “live adventure”. Instead of submitting an idea, I asked if I could participate. In my life I enjoy nature, science and making digital technology, but I’d never heard of a better way to combine them all in one single experience. My background is in electronic textiles, I develop techniques for building technology that is soft, stretchy, wearable and experimental. My interest is in exploring the materiality and diversity of technology that lies beyond industrialized standards developed for mass production. In the context of my work, building electronic textiles in the wild made so much sense.

Before joining this expedition all I knew about the project was from what was written on the Dissemination Lab website:
“We will attempt to retrace the steps of an expedition to the highest mountain of the Anosyennes in southeast Madagascar. You can read about the 1971 French expedition here. We will be looking for this species found by Peyrieras near the summit. We need fresh material to so we can study the DNA of this strange beast.”
Something I did not know then, but know now, is that there was not only no path through the jungle to the top of this 1960m peak, but also we were not exactly sure how to get up there and whether we would make it in the time we had.

Hacking the Wild is what we now refer to as our process and experience of building tech in the wild. It is the first instance of the Dissemination Lab initiative which took place in Madagascar during February/March 2015.

Expedition Maps

Goals of the Expedition

Dissemination Lab
The Dissemination Lab goal, as listed on the site, is to connect people around the world with the:
Animals – The creatures we are studying
Ecosystems – The amazing environments we work in
Practices – The how and why of what we do

Entomology/Biodiversity
Brian lead the expedition, which was manned by five more ant specialists: Flavia, JJ, Chrislain, Claver and Fidelisy. My interpretation of the entomology (which means the study of insects) goals of this expedition is that they were looking to:
(1) Reach the summit
(2) Find the ant
(3) Collect and chart ants (and other insects) along the way
(4) Get back in time for the next expedition
(5) Publish findings and use results towards conservation of biodiversity

The Eutetramorium Parvum ant specimen that Brian and his team are looking for is described here on AntWeb.

Digital Naturalism
Andy and my goals as “Digital Naturalists” joining this expedition were to:
(1) Prepare a selection of electronics tools and materials that we are able to carry into the jungle with us
(2) Transport all our gear with us into the jungle
(3) Observe and communicate with the entomology team in the field
(4) Identify opportunities for building digital technology
(5) Set up productive work spaces in the jungle
(6) Build digital technology in the jungle
(7) Use and document what we build


THE ADVENTURE

Preparations

Andrew and I had several Skype calls and many emails in which we organized our gear. Mostly Andy shared tips with me from his previous experiences with working in Panama and running the hiking hack. This was going to be my very first trip into the Jungle and my image of the jungle was informed by national geographic photography and media equivalent to a Tarzan movie.

The following documentation of our 14 day trip to the summit and back is a blend of transcribed journal entries by Andy and myself as well as post-expedition edits and additions.

Day 1 (17.3.2015)

Hannah’s journal entry: “The expedition begins! We finally successfully pick Andy from the airport in Fort Dauphin. Rush to mechanic to have missing break parts mounted that Andy brought with him from Tana. Quickly to hotel to pack and set off for 120 km drive to Manantan. Five ferry crossing we need to make before dark. Bad luck catching ferries on our side but luck with all the road and car troubles we ran into. Which include bumping and scraping underside on bridges that crack as we cross them, pushing car out of deep sandy water, pumping oil filter day and managing not to tip over. Finally arrive long after dark and eat bread with sardines for dinner.”

Day 2 (18.3.2015)

Hannah’s journal entry: “No more car. We take three lakana (boats hollowed from single tree trunks) upstream as far as we can go. This takes about 3 hours. The river is beautiful and in the distance we catch fist glimpse of Anoysian range- where we are headed. Our destination starts to feel real and the face that we don’t know how to get there maybe even more so.
We leave the boats in Analamiar and discussions with locals begin to hire porters who will help carry all our stuff (equipment, gear, food) to our base camps (s). These discussions take time, during which we find out that somebody’s father remembers the French expedition that passed through in 1971! We get to talk to this persona and ask him if he remember the route they took and where they set up camp. He unfortunately says it was too long ago to remember. We set off on foot with about 16 porters and only make them until the next village Suavala.
In Suavala the porters stop and won’t continue, so we set up for the night and begin new discussion the possible porters from this village. These discussions last several hours, but we do come to an agreement and plan to set off at 5 am the next morning.
In Madagascar things happen early, and after lunch one cant’ really expect to get much done.

Day 3 (19.3.2015)

Hannah’s journal entry: “We set off and make a good start following a path that leads through further villages. All these villages and farmed land was not here when the French expedition passed through. In 1971 it was all still rain forest!
Crawling along burnt tree trunks, through rice fields, attacked by leeches. After only about 11 km the porters stop at a farm and we can’t persuade them to continue on the final 4 km to where the French set up their 4th camp be the river, at the base of the mountain. Thus we setup camp to stay the night on the farm. Scarcity of trees makes it hard for Andy and Hannah to find places to hang their hammock tents.
Discover a cave with bats and Andy experiments on a large snail crawling up his leg to see what colors of LED light it might have a reaction to. No noticeable reactions to any, even IR and UV.”

Day 4 (20.3.2015)

Andy’s journal entry: “We had just 3km to go to make it to base camp. It took us the entire day. Crossed burnt rice fields on slippery logs. The river was even harder. Giant boulders and stormy rapids made for magnificent videos. But a slippery wet climb. We stop only 200 meters from camp. Our target. Set up camp.
Build workspace.
Prep for 4 days of Activity
transposed by me, Erika. I’m open to other explorer’s interpretations of this leaf message. Post below if you read it differently”

Day 5 (21.3.2015)

Day 6 (22.3.2015)

Andy’s journal entry: “Another Fantastic and productive day in the camp. Felt like this had been the day we relaxed the most, looking back, we tackled all sorts of difficult problems.
First, it was sunny for the first real time. We went down to the river and managed to clear a long backlog of journal entries. Accidentally dropped an SD card into the river, but i think it was at least 50% baked up (Lucky I had done that!) We brought our 5 day old muddy clothes down to the river today and swam about this magical place. Hannah and I then jammed on design projects for the day on boulders above the rapids.

Project 1 was to try out rope-based aerial photography. One of the chets or guides made a kickass bow and arrow for eel hunting. We are going to try to use it to shoot the rope over, but then decided to just use a rock.

Project 2 was about how to make a sensor triggered by ants. We tried sanding down the edges of fiber optics and wrapping these around trees. Showed some success…continued
Continued… working with Brian and Hannah is fantastic. Brian is the craziest most extreme ? I met, and he still makes time for all my side activities. Hannah is always gung ho and has a sharp wit and creative mind that’s going to make most projects…….”

Day 7 (23.3.2015)

While we were at our first basecamp it became apparent how useful Google Earth was in reaching the summit. Brian used it to determine a route around the cliff-face that was in our way, and I had a strange moment in which I felt technology was really an extension of the self. It was like having built a giant periscope that allowed us an aerial view of our location – giving us a different perspective that would allow us to achieve our goal.

Day 8 (24.3.2015)

Andy’s journal entry: “Got sick maybe I shouldn’t have eaten the cold 9 day old meat. Whups. Slept a long time. Frustrating to not be able to do anything. Everyone was very nice to me. Fever broke in the night, now just ache-y.
As I am lying here, it occurred to me that many of you might not know about one of the biggest goals on this mission: The Unknown Ant on the Mountain. So, some bad ass french guys were the last people here (even the locals don’t go here) in the 1970’s. They were studying the forest and also just randomly collecting stuff. They happened to bring back an ant that no one had ever seen before! We are trying to find it! Unfortunately, it lives on the TOP of the mountain, also nobody knows how to get there!”

Since data was not cheap (6$ per MB) we limited our Internet activity to posting brief updates and 640×320 images to Twitter. To save on typing time (battery life) we emailed photos of handwritten journal entries to Erika (Thank you!) of Open Explorer who transcribed these and posted them to our live journal feed that we hosted on their site. Possibly we were not very well prepared on the social media front. For all of us this was the first time using Twitter as medium for publishing work from a remote location, and for me my first Twitter post ever. None of us had a great following, and probably we hoped that the novelty of posting live from the field would engage people and attract attention from the entomology and maker communities. We had no idea what to expect, and even now that the documentation process is still ongoing, we’re unsure of how our work is being received.

Day 9 (25.3.2015)

Andy’s journal entry: “Up to Cloud Forest Base Camp. Felt great this morning (sickness mostly gone). Saddened to leave our amazing lower base camp. As Hannah said we could have stayed at this luxurious camp we built for weeks building all sorts of things. The jungle is a ridiculously inspiring place to work. The biggest challenge is to not be overwhelmed by the possibilities.
I think Hannah and I have been tackling all these challenges excellently together. The project, (sharing research, building electronics, designing mobile labs, surveying) is already huge, but we have been helping eachother, watching out for each other, and tossing ideas around together. 
Such a luxury having her with us.
We walked, or really climbed, with backpacks straight up for 4 hours to the cloud forest camp. One porter carried a full live pig all the way up. They slaughtered and BBQ’d it up here last night. I had never seen such a thing first hand.
Only 3 days left to build and explore.”

Basecamp1 to Basecamp2

Day 10 (26.3.2015)

The Internet, despite being such an ideal platform for dissemination, proved a tough challenge on-route and in the jungle. Establishing the connection via Satellite technology was not the hardest part. Building up motivation to switch on the device, focus on the screen, communicate with the rest of the world was harder. But is was not like we did not want to share what we were experiencing and doing, it was the mode of communication – reminiscent of a different life – that put us off. What modes of communication would be more suitable for posting from the wild? What wild communication protocols exist? Andy mentioned a technique for bouncing data off the moon. This immediately felt much more romantic and appropriate. Even texting an SMS on an old phone felt more in place than opening a laptop.

Day 11 (27.3.2015)

Andy’s journal entry: “The Summit. This basecamp up in the clouds only has 3 Days. Day 1 we had to rest and set up camp. Day 3 we had to pack and prepare. So before we even realized it, we suddenly knew that today, Day 2, would have to be our chance to summit, and find that mystery ant.
We shove as much food as we can into us at 5AM and head up into the unknown. There are parts where we are crawling up waterfalls and snaking around chasms. mostly it becomes a long enjoyable walk through a rapidly changing landscape as our guides chop a minimal path through the jungle. At no point are we ever sure our path will actually bring us to the summit, and not just a dead-end ridge. The jungle gives way to a psychedelically shifting new types of forest. Suddenly everything is spongy and teal. Then it is all burnt. Then grasslands. We see bizarre new forms of plants.
We get close in elevation but panic sets in as our guides detect HONEY. We almost lose them but brian convinces them to summit! We get to the top. It looks like the alps. So strange but maybe hannah feels as home! We hunt for that ant!”


Day 12 (28.3.2015)

Andy’s journal entry: “Final Day in Cloud Camp. Didn’t find the ant.
Looked everywhere at the summit, but no – show. Brian is anxious. After so many years, we are here, but no ant. Against his own judgement, he decides to lead a SECOND expedition up to the top to hunt for that ant once more. It’s gonna be crazy because he’ll have to pack everything in camp today as well when he gets back from the top, AND then be ready to leave at 3 AM for the long walk home.
While he is gone, Hannah and I try to finish up and document beaucoup de notre projets. I become a tiny bit frustrate because I realized that before, I kinda thought I had the excuse that the reason that some of my project electronics looked terrible was because I’m in the jungle and EVERYTHING IS HARD TO DO.
But now Hannah is here and her hands turn vines and wires into beautiful objects. She has those smart, strong hands of a real craftsperson. Meanwhile, I cobble together some fun projects with my less-honed aesthetic. I turn leaves into an electro-tongue display. And I make the worst robot ever from mushrooms and a linear actuator. It’s so stupid looking, hobbling over the floor.
(Illustration includes drawing of terrible mushroom bot and hannah’s leech disco-dancefloor).”

Day 13 (1.4.2015)

Andy’s journal entry: “The Death March. Been a bit scared of this day for a while. Brian always seemed cheerful about it, “It’s amazing! You take four days to get out here, but then you just walk the whole thing back in one day” – “also there’s no more food, so you HAVE to make it back!”
Get up at 3AM to take down camp, eat, and leave at 5AM. I shove as much bland rice into me as possible. The Chef, Berlin, also has a little sack of sugar I start eating mouthfuls of: I am camel-ing up whatever nutrients i can before our 12+ hour hike into the unknown new path back.
Walking down a mountain in the dark is super difficult. 
Also WALKING is a wrong verb. We moreso do a controlled fall for 3 hours. Make it to the 540m raincamp and barely give it enough respect. Just march through. Brian is CRAZY fast at this. Hannah and I keep getting lost, and have to look for clues. Tiny ridiculous clues in the terrain. Like disturbed patches of moss to track where everyone is. This is crazy.
When we get to deforested areas, we start to move fast, but get tired-er, hotter, and thirstier. We find guava growing along the path and hannah feeds me some which saves me and prevents the trail-crazies.
I stumble along for hours behind a woman carrying a baby and ton of vegetables to go to the market. She’s amazing. She uses our porters (one guy named “James Bond”) to carry her baby across rapids for her.
These malagasy have such smart feet. My feet feel stupid and crippled locked in their shoe-prisons.”

Day 14 (2.4.2015)

Andy’s journal entry: “Death March (Part 2). Made it! We left at 5am and walked ALL DAY. We covered what had taken us 4 days, and got through it in one crazy day. Made it at 1am, ate a meal, and passed out at 3am. A full 24 hour day.
After that crazy march, we got up at 7AM, packed up and started the long drive to Ft. Dauphin.
From our drive-in, the 100km took us 10 hours with river crossings and quick repairs. But we had more problems this time.
The battery doesn’t work AT ALL. So we had to push it starting. This seemed ok, until we realized that if the car stalled at all in the long trip of mud and rivers that we had to drive through, we’d be totally screwed.
Brian is an incredible driver. I don’t understand how the car can b SO sideways at times and not tip over. On top of the battery, other problems started happening. Weird grinding noises and things caught underneath that started sounding worse and worse.
We fixed and shoved the truck out of really hairy predicaments all day, but now, just 17 km away, on a nice flat road, the transmission goes out.
So badly destroyed that the car cannot even roll or be towed. Brian says for 15 years he has driven this beast, and this is the first time it has actually, all-the-way failed on him.
It’s 10pm on a dark, quiet road. Our flight is at 6am. Eating papaya now, figuring out what to do. :)”


THE MAP

One of our evening activities was to draw up individual maps of our trek up to the first base-camp. Then we passed our maps around and explained them to each other. I loved seeing everybody’s different drawing styles and from these hand-drawn maps I’ve compiled a map of our entire route – from Manantanina to the summit and back. Enjoy!


THE TEAM

Brian Fisher

Brian is passionate about ants. He specializes in the large-scale discovery, description, and naming of African and Malagasy ants. His inventory work in Africa and Madagascar demonstrates the feasibility and challenges of conducting global biodiversity inventories.
Ant collecting in Tuliar

Andrew Quitmeyer

Andrew is a polymath adventurer interested in discovering new means of exploring and sharing the living world. As a Georgia Tech PhD student, he researches how digital media can be used in the study of animal behavior for exploration and outreach. He develops techniques and tools for expressing ideas in engaging and powerful new ways. His trans-disciplinary, multimedia works have been featured in outlets such as PBS, NPR, The Discovery Channel, Cartoon Network, Make Magazine, and Wired.
Good-bye Basecamp1

Hannah Perner-Wilson

Hannah makes things and through her work explores the world…
VinePro head-mounted camera rig

Flavia Esteves

Ph.D. in Entomology, and postdoctoral fellow at California Academy of Sciences, USA. Flavia has been studying ants for more than 10 years, integrating fieldwork, taxonomy, and community ecology analysis to discover and describe ant diversity and patterns of distribution, particularly in rainforest habitats. (taken from http://www.thelostmountainfilm.com/the-team/)
Ant collecting in Tuliar

Rafanonezantsod Jean Jacque (JJ)

Ant collecting in Tuliar

Ranaivo Chrislain

Ant collecting in Tuliar

Randriananchasana Edson Claver

Setting up Basecamp2

Bemaheva Fidelisy

The summit

Bazile Rakoto

Village elder guide from Suhavala who brought calm to crazy situations, seeing him ahead, pointing the way, meant there was somebody looking out for us.

Saodraza and Rostin

Guides and honey-hunters from Suhavala, who did re-con to find our way up the mountain. They hacked our path through the jungle to reach our second base-camp and then the summit.
The summit

Berlin

Great cook from the village of Suhavala.
Manantanina to Basecamp1

The porters from the village of Suavala

The roughly 20 porters we hired in the village of Suhavala to carry our gear to our two base-camps.
Manantanina to Basecamp1


THE END

The expedition ended for Andy and me the night the car broke down and we jumped in the taxi that the car mechanic arrived in. Back to hotel Mahavoky in Fort Dauphin for a few hours sleep before our flight to Tana at 6 am the next morning. We made it to the summit, but we did not find the ant. I have not fully realized that I may never go back up that mountain again. Brian’s experience got us to the summit with such efficiency. Even if I return to Madagascar, reaching that summit again would entail a whole new expedition. The paths we trod and the camps we left behind are still there now, but who knows what will stay. Will our camps become farms? The jungle turned to rice fields? It appears this is what happened to some of the French camp sites after their expedition passed through in 1971. One of the farms we passed on our second day, where we were served manioc, bread (a spinach like leaf vegetable) and given peanuts, could have been their 1st camp.
“Finding the ant” remains in the back of my head as a placeholder for some sort of distant goal. Somewhere to head for, while concentrating on all that happens along the way. This feeling is definitely a remnant from my overall experience during this expedition.

Why did we struggle to pack a whole studio full of supplies and work surfaces into an amount we could reasonably carry on our back? Then carry it out into the jungle to build tech in the wild?

– Site-specificity: The environment as a resource and source of inspiration. The jungle is an amazing setting for building electronics. Surrounded by nature so dense that sunlight barely hits the ground and a volume level of insects higher than a busy intersection. One of the most inspiring discoveries we made, once we set up our JungleLab at the first base-camp, was that the plants and animals growing and living around us were extremely useful building materials.

– Making as a means of exploring: Putting the act of making into the foreground as a means of experiencing a new environment. Just like using a magnifying glass to see things up close, or helicopter to get to an otherwise unreachable plateau, the act of making can be seen as a tool for discovery.

– Lifestyle: Moving through the world while practicing a trade. In their literature naturalists are frequently explicit about their choice of vocation coming in part from a love of being outdoors and spending time in nature. Why can’t engineers want to build stuff outdoors too? In digital media, I’ve never heard anybody be enthusiastic about the typical lifestyle of a programmer who likely spends much of the day sitting indoors, in front of a keyboard and screen. I believe that people building and working with digital technologies enjoy the time they spend with the technologies they use, but the environments these technologies are bound to tend to be painfully uninspiring. An important part of working in the wild, is being (living, breathing, sleeping) in the wild. 

After the expedition ended, I felt the longer list of goals I mentioned above could be neatly summarized into three things beginning with B: (1) be there (and keep up), (2) build there
, (3) bring stuff back.

The “being there” part was not something I anticipated listing as a goal, that simply being in a new environment would be so incredibly challenging and inspiring. As Andy so nicely put it in two of his journal entries transcribed bellow:

“I’m in the jungle and EVERYTHING IS HARD TO DO” (Final Day in Cloud Camp)

“The jungle is a ridiculously inspiring place to work” (02-25-2015, Up to Cloud Forest Base Camp)

The “building there” part also came more laden with insight than I’d imagined. Making things is simply such a fitting way to explore a new environment. As a process it works similar to a lens through which you can look at things and see them differently. For example I was looking for a good material to make a speaker membrane from – all of a sudden everything I look at becomes a potential material for moving air. I touch, handle and look for things that have ideal properties for amplifying vibrating and moving air. One leaf in particular (still trying to find what plant it was from >> reddit.com/r/whatsthisplant/comments/303raf/anyideawhatplantthisleafisfromfound_in/) worked especially well as a coiled membrane and resonant body.

The “bringing stuff back” part entailed what I had expected it would, that we would build stuff and document it to share with the Internet. But besides project documentation we brought back so much more we want to share. If only for entertainment sake, we definitely want to convey the adventurous aspects of the expedition. What we learned by setting up our JungleLab, then realizing we had enough gear with us to easily spend some weeks camped out and making stuff, is high on our list of things to document and publish. All the great exchanges between Andy and myself about why we do what we do… All these things we’ve brought back, we are currently digesting and slowly sharing in different ways (see bellow).

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E-Textile Swatch Exchange http://www.plusea.at/?p=4855 http://www.plusea.at/?p=4855#comments Thu, 25 Jul 2013 09:43:01 +0000 http://www.plusea.at/?p=4855 ]]> The E-Textile Summercamp‘s Swatchbook Exchange is a platform for sharing physical work samples in the field of electronic textiles. The exchange wishes to emphasize the importance of physicality and quality workmanship in an increasingly digital world.

>> Swatchbook Exchange Website

The Exchange takes place every year since 2013 as part of the 2013 E-Textile Summercamp in Paillard, France.

Everybody participating in the exchange is either a past or current participant in the Summercamp, and creates as many multiples of their swatch as are participants in the exchange.

2014

>> http://etextile-summercamp.org/swatch-exchange/category/2014/

2013

>> http://etextile-summercamp.org/swatch-exchange/category/2013/

Video:

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The Gloves Project http://www.plusea.at/?p=2388 http://www.plusea.at/?p=2388#comments Thu, 15 Nov 2012 10:41:41 +0000 http://www.plusea.at/?p=2388 ]]> A pair of gloves for musician Imogen Heap.

>> Gloves Documentation

Team: Imogen, Kelly, Tom, Seb, Rachel, Adam, Hannah

Links:

>> MiMu website
>> Dev Blog
>> Kickstarter page
>> Imogen’s Glove Page
>> Making-of x-IMU Gloves
>> Twitter
>> YouTube Videos
>> Flickr Photos
>> Seb’s Glove GitHub



The x-IMU Gloves

This first pair of customized gloves uses custom made version of the x-IMU. Each glove has one x-IMU, 8 bend sensors, an RGB LED and vibration motor.


The DIY ArduIMU Gloves

An Open Hardware pair of datagloves that capture movement and gestures of the hand using the ArduIMU and bend sensors. The gloves can be connected with an FTDI cable or wirelessly using a Bluetooth module. The gloves also include an RGB LED light and a vibration motor for visual and haptic feedback.

These gloves are made from off-the-shelf parts and documented in these step-by-step instructions.


E-Textile Gloves

This is a version of The Gloves that uses conductive and piezoresistive fabrics to capture movement and gestures of the hand in an attempt to build a fully fabric data glove.


MiMu Gloves

Three pairs of this version of the glove were produced in preparation for Imogen’s NIME performance.


Collaborator Gloves

This version of the MiMu data gloves for composing and performing electronic music are in production for a small group of collaborators who continued to support us after our Kickstarter campaign.

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HOW TO GET WHAT YOU WANT http://www.plusea.at/?p=2481 http://www.plusea.at/?p=2481#respond Tue, 15 Sep 2009 03:40:39 +0000 http://www.plusea.at/?p=2481 ]]> This website aims to be a comprehensible, accessible and maintainable reference resource, as well as a basis for further exploration and contribution.

>> How To Get What You Want

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